They can also be used for titles of elements in the design such as books, newspapers, art or music.Īt some point, you will need to add a subtitle or captioned element to a design project. While usage in video is the most common example, you’ll also find them in music lyrics, to translate languages, for emphasis and in voice-overs. Subtitles and captions are everywhere in design. For subtitles, start with the regular weight. A subtitle font with a nice medium stroke is best-suited for this type of treatment.įind it here: Antique Olive is available as part of Adobe Fonts. Some designers place subtitles inside a black box using white lettering for all uses, although this can take away from the action on the screen.Īnother option that’s popular is to use a light shadow element to help provide contrast between text and screen elements. When using a font for a subtitle it is important to think about how the weight of the typeface will render on different background colors and against movement. The letterforms are rounded and have a uniform stroke width (attributes that contribute to readability), but with some subtle design elements that make the typeface a little more interesting than something such as Arial. Some designers place subtitles inside a black box using white lettering for all uses, although this can take away from the action on the screen.Īntique Olive is a sans serif with some personality that’s popular for subtitles on the big screen.
#Best subtitle software free license#
(Monospaced fonts are often a preferred choice for subtitles and captions.) It includes small caps, a light casual option and script.įind it here: Cinecav license pricing depends on your needs. I like this option because some of the extra type options are just as readable as the monospaced version. The latter is why this font is widely used for television and movies.
In addition, this typeface includes italics that are suitable for captions – which can sometimes be hard to come by – and include character sets for dozens of languages. “The font set also includes Cinecav UI, designed specifically for guide information and menu systems where space efficiency and legibility are extremely important.” “They are more elegant, more legible, and more consistently designed for television applications than fonts provided by other suppliers and have been tested and refined on a broad range of DTV platforms,” according to the typemaker. What makes this font a good option is that it specifically designed to meet FCC requirements for closed captioning (CEA-708). I like this option because some of the extra type options are just as readable as the monospaced version.Ĭinecav Closed Caption Fonts is a set of sans serifs with monospaced and proportionally spaced options for all subtitle usage. You might recognize Roboto Medium as the font YouTube uses for subtitles by default.įind it here: Roboto is available from Google Fonts (and plenty of other providers) as an open-source typeface.
Roboto has a wide range of weights and styles, but for subtitles and captions, avoid condensed or super-thick or thin weights.
As a designer, you need to be ready to accommodate it. Getting into the answer can be a little complicated – you can read about it in Wired – the takeaway is that people are using lots of subtitles and captioning. But more and more people are leaving them on for everything. “Closed captions are a must for foreign-language movies and shows like Netflix’s 3%, and they’re great for shows with heavy accents or jargon.
Wired magazine explains that people are using captions for everything: The goal of using a subtitle is to make the content easier for the user to understand, and that’s why Roboto is a good option. Subtitles and captions are no exception.Īnd because the eye is so used to this typeface, it’s quick and easy to read. It’s used pretty universally across device types, screen sizes and for a number of purposes. Roboto is one of the most common typefaces in the modern era.
0 kommentar(er)
